Category Archives: Sociotécnica

To practice slowness

As I mentioned in my presentation at International Live Coding Conference (ICLC 2015), the proposal of an approach to the collective activity of live coding as an artistic configuration constituted in a creative practice from improvisation, openness and constant exploration, … Continue reading

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Calidad informativa, escenarios de poscrisis (La crujía)

Hice un aporte en la compilación de la Dra. Lila Luchessi, Calidad informativa, escenarios de poscrisis, que tiene que ver con el trabajo para mi tesis de maestría (FLACSO) sobre usos de Facebook. Aquí va el índice completo: Capítulo 1: El … Continue reading

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Lurk#2. There is no script

“Lurk … elegantly draws attention to this world of burgeoning activity in enchanting language; humanising the creative use of machine instructions, reminding us that with software code, as with any other human tool, it’s what you do with it that … Continue reading

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Observed viewer

How can an artist make you feel part of their artwork? Anybody can feel part of an artwork from the singular moment of contemplation, feeling our selves immersed in what it proposes and resignifying it from our own subjectivities. This … Continue reading

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Studing the relation between digital and analogue ways of experience I went for with  my first algorave. As the site algorave indicates: “Algorave is made from “sounds wholly or predominantly characterised by the emission of a succession of repetitive conditionals“. … Continue reading

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Gaming with words

As I am interested in those topics that emerge from the digital / analogue relation I have been approaching to some videogame texts. I liked very much one from Body & Society, Technologies of Captivation: Videogames and the Attunement of Affect … Continue reading

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